That’s families right there.
My brother and I had different families. We grew up in the same household, had the same parents, shared many of the same incidents, and yet our memories, and the emphases of those memories, are very different. I was the older, the girl, shy and anxious, early on coopted to be my mother’s support and caretaker. My brother, the younger, the boy, the artist. My father, if you had asked him, was equally delighted to have a daughter as a son–but he wanted to teach my brother all the boy things (many of which I really wanted to learn myself). Without thinking about it, my parents fell into many of the ways of thinking about gender that their generation (and my own) accepted. We were, without malice, treated differently, occupied different ecological niches. Different families.
This meant that each of us missed things the other thought were pivotal. He has whole bundles of memories that I only very slightly remember (there’s almost a joke-book’s worth of my father’s jokes that I cannot recall at all). On the other hand, he did not realize that my mother was drinking until I left for college, because that hadn’t been what he saw from his vantage point. We would have grown up to be very different humans anyway, but the divergent narrative threads is something that surprised me deeply when I first noticed it as an adult.
For a long time I thought my family was weird this way, that other families had a single track of programming. But the older I get, the more see this is the case with everyone’s families. A friend of mine, eldest of three kids, had a very different childhood, and a way different relationship with her parents, than the two younger. Even the perspective of adulthood hasn’t kept them from some very Rashomon-like conversations.
Parallax is the difference, or apparent displacement, of something, depending upon the viewer’s position relative to the seen thing. Per Wikipedia, “A simple everyday example of parallax can be seen in the dashboard of motor vehicles that use a needle-style speedometer gauge. When viewed from directly in front, the speed may show exactly 60; but when viewed from the passenger seat the needle may appear to show a slightly different speed, due to the angle of viewing.” Rashomon, cited above, is a good example of parallax memories: a Kurosawa film in which four different people tell their version of the same incident. Each one is telling their truth, as they know and believe it.
My brother and I have reached a point where we accept that the other had a different experience of our lives growing up. Still, it’s disquieting to find that something that loomed really large in his past was barely a speed bump in mine.