What is the Gooey Center? It’s the point somewhere in the middle of the manuscript where it becomes really, really difficult to move forward. I have always likened my writing process to a journey: I know where I start out, and I have a pretty good idea of where I’m going, and the process is in getting from point A to point B. The Gooey Center is that point when I suddenly find myself hip deep in mud on a cloudy day, unable to figure out which direction to proceed, making false start after false start, some of them entertaining enough that it takes me a while to realize that they won’t take me anywhere near where I meant to be going.
The first time this happened, I thought there was something wrong with me, that I would never be able to finish this book. My writing career over before it had fully started! And then, somehow, I found my way out of the bog, got my sense of direction back, and reached the end of the book. And with hindsight and editing, I realized that the middle was no where near as soggy and impassable as I had imagined when I was up to my hips in it.
I’m on my twelfth novel. This has happened to me ten times (it didn’t with my first book, because I had no idea I was actually going to finish it, nor that what I was doing was unlikely at best, and impossible at worse; it didn’t happen with my Marvel tie-in novel because I had to outline the thing so tightly that my hair curled). The Gooey Center appears to come with a soupçon of amnesia, too, because I don’t generally recognize that I’m in the middle of it for some time, which leads me to despair. When I do recognize it for what it is… well, I feel a little less despairing, but deeply impatient. I look for tactics to shorten my time wading through the Gooey Center, but they generally avail naught. The only solution I have found was to 1) remember that I’ve been here before, and I will get out of it, and 2) just keep writing.
I once mentioned this problem to my then-editor. “Ah,” he said sagely. “You’ve spent the first number of pages opening up doors, leaving yourself terrific stuff to work with, making all sorts of choices possible. And now you have to narrow down your field of vision and select which doors, what choices. Of course it’s daunting to have to do that.”
So that’s my mantra, which I share it with you: When you find yourself bogging down, take a look at all the interesting options you’ve left your characters. Me, I’m wondering if all my entertaining false starts could be knit together into something resembling a story.